Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo SoggiVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo Soggi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
In the year 1534, Duke Alessandro de' Medici being expected in Arezzo,
the Aretines, with Luigi Guicciardini, the commissary in that city,
wishing to honour the Duke, ordained that two comedies should be
performed. The charge of arranging one of those festivals was in the
hands of a Company of the most noble young men in the city, who called
themselves the Umidi; and the preparations and scenery for this comedy,
which had for its subject the Intronati of Siena, were made by Niccolo
Soggi, who was much extolled for them, and the comedy was performed very
well and with infinite satisfaction to all who saw it. The festive
preparations for the other were executed in competition by another
Company of young men, likewise noble, who called themselves the Company
of the Infiammati. And they, in order to be praised no less than the
Umidi, performed a comedy by M. Giovanni Pollastra, a poet of Arezzo,
under his management, and entrusted the making of the scenery to
Giovanni Antonio, who acquitted himself consummately well; and thus
their comedy was performed with great honour to that Company and to the
whole city. Nor must I pass over a lovely notion of that poet's, who was
certainly a man of beautiful ingenuity. While the preparations for these
and other festivals were in progress, on many occasions the young men of
the two Companies, out of rivalry and for various other reasons, had
come to blows, and several disputes had arisen; wherefore Pollastra
arranged a surprise (keeping the matter absolutely secret), which was as
follows. When all the people, with the gentlemen and their ladies, had
assembled in the place where the comedy was to be performed, four of
those young men who had come to blows with one another in the city on
other occasions, dashing out with naked swords and cloaks wound round
their arms, began to shout on the stage and to pretend to kill one
another: and the first of them to be seen rushed out with one temple as
it were smeared with blood, crying out: "Come forth, traitors!" At which
uproar all the people rose to their feet, men began to lay hands on
their weapons, and the kinsmen of the young men, who appeared to be
giving each other fearful thrusts, ran towards the stage; when he who
had come out first, turning towards the other young men, said: "Hold
your hands, gentlemen, and sheathe your swords, for I have taken no
harm; and although we are at daggers drawn and you believe that the play
will not be performed, yet it will take place, and I, wounded as I am,
will now begin the Prologue." And so after this jest, by which all the
spectators and the actors themselves, only excepting the four mentioned
above, were taken in, the comedy was begun and played so well, that
afterwards, in the year 1540, when the Lord Duke Cosimo and the Lady
Duchess Leonora were in Arezzo, Giovanni Antonio had to prepare the
scenery anew on the Piazza del Vescovado and have it performed before
their Excellencies.
Public-domain text, read in full here on John Shaqi.
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