Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo SoggiVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo Soggi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
And even as the performers had given satisfaction on
the first occasion, so at that time they gave so much satisfaction to
the Lord Duke, that they were afterwards invited to Florence to perform
at the next Carnival. In these two scenic preparations, then, Lappoli
acquitted himself very well, and he was very highly praised.
He then made an ornament after the manner of a triumphal arch, with
scenes in the colour of bronze, which was placed about the altar of the
Madonna delle Chiavi. After a time Giovanni Antonio settled in Arezzo,
fully determined, now that he had a wife and children, to go roaming no
more, and living on his income and on the offices that the citizens of
that city enjoy; and so he continued without working much. Not long,
indeed, after these events, he sought to obtain the commissions for two
altar-pieces that were to be painted in Arezzo, one for the Church and
Company of S. Rocco, and the other for the high-altar of S. Domenico;
but he did not succeed, for the reason that both those pictures were
allotted to Giorgio Vasari, whose designs, among the many that were
made, gave more satisfaction than any of the others. For the Company of
the Ascension in that city Giovanni Antonio painted on a banner for
carrying in processions Christ in the act of Resurrection, with many
soldiers round the Sepulchre, and His Ascension into Heaven, with the
Madonna surrounded by the twelve Apostles, which was all executed very
well and with diligence. At Castello della Pieve he painted an
altar-piece in oils of the Visitation of Our Lady, with some Saints
about her, and in an altar-piece that was painted for the Pieve a San
Stefano he depicted the Madonna and other Saints; which two works
Lappoli executed much better than the others that he had painted up to
that time, because he had been able to see at his leisure many works in
relief and casts taken in gesso from the statues of Michelagnolo and
from other ancient works, and brought by Giorgio Vasari to his house at
Arezzo. The same master painted some pictures of Our Lady, which are
dispersed throughout Arezzo and other places, and a Judith who is
placing the head of Holofernes in a basket held by her serving-woman,
which now belongs to Mons. M. Bernardetto Minerbetti, Bishop of Arezzo,
who loved Giovanni Antonio much, as he loves all other men of talent,
and received from him, besides other things, a young S. John the Baptist
in the desert, almost wholly naked, which is held dear by him, since it
is an excellent figure.
Public-domain text, read in full here on John Shaqi.
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