Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo SoggiVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo Soggi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
The eldest of his three brothers was called Monsignore; and he, being a
person of culture and learning, received offices with good salaries in
Mantua from the Marquis, on account of that nobleman's love of
Francesco. He lived to the age of eighty, and left children, who keep
the family of the Monsignori alive in Mantua. Another brother of
Francesco had the name of Girolamo when in the world, and of Fra
Cherubino among the Frati Zoccolanti di San Francesco; and he was a very
beautiful calligrapher and illuminator. The third, who was a Friar of S.
Dominic and an Observantine, and was called Fra Girolamo, chose out of
humility to become a lay-brother. He was not only a man of good and holy
life, but also a passing good painter, as may be seen in the Convent of
S. Domenico in Mantua, where, besides other works, he executed a most
beautiful Last Supper in the refectory, with a Passion of Christ, which
remained unfinished on account of his death. The same friar painted the
beautiful Last Supper that is in the refectory of the very rich abbey
which the Monks of S. Benedict possess in the territory of Mantua. In S.
Domenico he painted the altar of the Rosary; and in the Convent of S.
Anastasia, in Verona, he painted in fresco the Madonna, S. Remigio the
Bishop, and S. Anastasia; with a Madonna, S. Dominic, and S. Thomas
Aquinas, all executed with mastery, on a little arch over the second
door of entrance in the second cloister.
[Illustration: THE CRUCIFIXION
(_After the painting by =Giovan Francesco Morone=. Verona: S.
Bernardino_)
_Alinari_]
Fra Girolamo was a person of great simplicity, wholly indifferent to the
things of the world. He lived in the country, at a farm belonging to his
convent, in order to avoid all noise and disturbance, and the money sent
to him in return for his works, which he used for buying colours and
suchlike things, he kept in a box without a cover, hung from the ceiling
in the middle of his chamber, so that all who wished could take some;
and in order not to have the trouble of thinking every day what he
was to eat, he used to cook a pot of beans every Monday to last him the
whole week.
When the plague came to Mantua and the sick were abandoned by all, as
happens in such cases, Fra Girolamo, with no other motive but the purest
love, would never desert the poor plague-stricken monks, and even tended
them all day long with his own hands. And thus, careless of his life for
the love of God, he became infected with that malady and died at the age
of sixty, to the great grief of all who knew him.
But to return to Francesco Monsignori: he painted a life-size portrait,
which I forgot to mention above, of Count Ercole Giusti of Verona, in a
robe of cloth of gold, such as he was wont to wear; and this is a very
beautiful likeness, as may be seen in the house of his son, Count
Giusto.
Public-domain text, read in full here on John Shaqi.
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