Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo SoggiVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo Soggi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
For the same church Paolo painted the altar-piece of the Chapel of S.
Francesco, in which work, the last that he executed, he surpassed
himself. There are in it six figures larger than life; one being S.
Elizabeth, of the Third Order of S. Francis, who is a most beautiful
figure, with a smiling air and a gracious countenance, and with her lap
full of roses; and she seems to be rejoicing at the sight of the bread
that she, great lady as she was, had been carrying to the poor, turned
by a miracle of God into roses, in token that her humble charity in thus
ministering to the poor with her own hands was acceptable to God. This
figure is a portrait of a widowed lady of the Sacchi family. Among the
other figures are S. Bonaventura the Cardinal and S. Louis the Bishop,
both Friars of S. Francis. Near these are S. Louis, King of France, S.
Eleazar in a grey habit, and S. Ivo in the habit of a priest. Then there
is the Madonna on a cloud above them all, with S. Francis and other
figures round her; but it is said that these are not by the hand of
Paolo, but by that of a friend who helped him to execute the picture;
and it is evident, indeed, that these figures are not equal in
excellence to those beneath. And in this picture is a portrait from life
of Madonna Caterina de' Sacchi, who gave the commission for the work.
Now Paolo, having set his heart on becoming great and famous, made to
this end such immoderate exertions that he fell ill and died at the
early age of thirty-one, at the very moment when he was beginning to
give proofs of what might be expected from him at a riper age. It is
certain that Paolo, if Fortune had not crossed him at the height of his
activity, would without a doubt have attained to the highest, best, and
greatest honours that could be desired by a painter. His loss,
therefore, grieved not only his friends, but all men of talent and
everyone who knew him, and all the more because he had been a young man
of excellent character, untainted by a single vice. He was buried in S.
Paolo, after making himself immortal by the beautiful works that he left
behind him.
Public-domain text, read in full here on John Shaqi.
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