Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo SoggiVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo Soggi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Now, when the city again changed its government and returned to the rule
of its ancient masters the Venetians, Giovan Maria, being known as one
who had served the party of the Emperor, was forced to seek safety in
flight; and he went, therefore, to Trento, where he passed some time
painting certain pictures. Finally, however, when matters had mended, he
made his way to Padua, where he was first received in audience and then
much favoured by the very reverend Monsignor Bembo, who presented him
not long afterwards to the illustrious Messer Luigi Cornaro, a Venetian
gentleman of lofty spirit and truly regal mind, as is proved by his many
magnificent enterprises. This gentleman, who, in addition to his other
truly noble qualities, delighted in the study of architecture, the
knowledge of which is worthy of no matter how great a Prince, had
therefore read the works of Vitruvius, Leon Batista Alberti, and others
who have written on this subject, and he wished to put what he had
learned into practice. And when he saw the designs of Falconetto, and
perceived with what profound knowledge he spoke of these matters, and
rendered clear all the difficulties that can arise through the variety
of the Orders of architecture, he conceived such a love for him that he
took him into his own house and kept him there as an honoured guest for
twenty-one years, which was the whole of the rest of Giovan Maria's
life.
During this time Falconetto executed many works with the help of the
same Messer Luigi. The latter, desiring to see the antiquities of Rome
on the spot, even as he had seen them in the drawings of Giovan Maria,
went to Rome, taking him with him; and there he devoted himself to
examining everything minutely, having him always in his company. After
they had returned to Padua, a beginning was made with building from the
design and model of Falconetto that most beautiful and ornate loggia
which is in the house of the Cornari, near the Santo; and the palace was
to be erected next, after the model made by Messer Luigi himself. In
this loggia the name of Giovan Maria is carved on a pilaster.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account