Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo SoggiVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 06 (of 10): Fra Giocondo to Niccolo Soggi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
It was proposed, also, with the advice of the same master, and as a
completion to this work, to build the Bridge of the Rialto of stone,
covered with shops, which would have been a marvellous thing. But this
enterprise was not carried into effect, for two reasons: first, because
the Republic, on account of the extraordinary expenses incurred in the
last war, happened to be drained dry of money; and, secondly, because a
gentleman of great position and much authority at that time (of the
family, so it is said, of Valereso), being a man of little judgment in
such matters, and perchance influenced by some private interest, chose
to favour one Maestro Zanfragnino,[3] who, so I am informed, is still
alive, and who had worked for him on buildings of his own. This
Zanfragnino--a fit and proper name for a master of his calibre--made the
design for that medley of marble which was afterwards carried into
execution, and which is still to be seen; and many who are still alive,
and remember the circumstances very well, are even yet not done with
lamenting that foolish choice.
Fra Giocondo, having seen that shapeless design preferred to his
beautiful one, and having perceived how much more virtue there often is
in favour than in merit with nobles and great persons, felt such disdain
that he departed from Venice, nor would he ever return, although he was
much entreated to do it. And the design, with others by the same monk,
remained in the house of the Bragadini, opposite to S. Marina, in the
possession of Frate Angelo, a member of that family and a friar of S.
Dominic, who, by reason of his many merits, afterwards became Bishop of
Vicenza.
Fra Giocondo was very versatile, and delighted, in addition to the
pursuits already mentioned, in simples and in agriculture. Thus Messer
Donato Giannotti, the Florentine, who was very much his friend for many
years in France, relates that once, when living in that country, the
monk reared a peach-tree in an earthen pot, and that this little tree,
when he saw it, was so laden with fruit that it was a marvellous sight.
On one occasion, by the advice of some friends, he had set it in a place
where the King was to pass and would be able to see it, when certain
courtiers, who passed by first, plucked all the peaches off that little
tree, as suchlike people were sure to do, and, playing about with one
another, scattered what they could not eat along the whole length of the
street, to the great displeasure of Fra Giocondo. The matter coming to
the ears of the King, he first laughed over the jest with the courtiers,
and then, after thanking the monk for what he had done to please him,
gave him a present of such a kind that he was consoled.
[Illustration: THE MAGDALENE WITH SAINTS
(_After the painting by =Liberale da Verona=. Verona: S. Anastasia_)
_Anderson_]
Public-domain text, read in full here on John Shaqi.
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