Thereupon Tribolo made an addition to that scene, and had the notion of placing among the many figures that are standing watching the Marriage of the Virgin, one who in great fury is breaking his rod, because it had not blossomed; and in this he succeeded so well, that the suitor could not display with greater animation the rage that he feels at not having had the good fortune that he desired. Which work finished, and also that of the others, with great perfection, Tribolo had already made many models of wax with a view to executing some of those Prophets that were to go in the niches of that chapel, which was now built and completely finished, when Pope Clement, after seeing those works and praising them much, and particularly that of Tribolo, determined that they should all return without loss of time to Florence, in order to finish under the discipline of Michelagnolo Buonarroti all those figures that were wanting in the sacristy and library of S. Lorenzo, and the rest of the work, after the models of Michelagnolo and with his assistance, with the greatest possible speed, to the end that, having finished the sacristy, they might all together be able, thanks to the proficience made under the discipline of so great a man, also to finish the facade of S. Lorenzo. And in order that there might be no manner of delay in doing this, the Pope sent Michelagnolo back to Florence, and with him Fra Giovanni Angelo de' Servi, who had executed some works in the Belvedere, to the end that he might assist him in carving the marbles and might make some statues, according as he should receive orders from Michelagnolo, who caused him to make a S. Cosimo, which was to stand on one side of the Madonna, with a S. Damiano, allotted to Montelupo, on the other.