Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il Sodoma — John Shaqi
Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il SodomaVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il Sodoma
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Stupefied by this misfortune and robbed of all his spirit, and being
also ill, Tribolo was living in utter despair, seeming not to be able
either in Florence or abroad to hit upon anything that might be to his
advantage; but Giorgio Vasari, who was always his friend and loved him
from his heart, and helped him all that he could, consoled him, saying
that he should not lose heart, because he would so contrive that Duke
Alessandro would give him something to do, by means of the favour of
the Magnificent Ottaviano de' Medici, into whose service Giorgio had
introduced him on terms of no little intimacy. Wherefore Tribolo,
having regained a little courage, occupied himself, while measures
were being taken to assist him, with copying in clay all the figures
of marble in the Sacristy of S. Lorenzo which Michelagnolo had
executed--namely, Dawn, Twilight, Day, and Night. And he succeeded in
doing them so well, that M. Giovan Battista Figiovanni, the Prior of
S. Lorenzo, to whom he presented the Night in return for having the
sacristy opened for him, judging it to be a rare work, presented it to
Duke Alessandro, who afterwards gave it to Giorgio Vasari, who was
living with his Excellency, knowing that Giorgio gave his attention to
such studies; which figure is now in his house at Arezzo, with other
works of art. Having afterwards copied, likewise in clay, the Madonna
made by Michelagnolo for the same sacristy, Tribolo presented it to
the above-named M. Ottaviano de' Medici, who had a most beautiful
ornament in squared work made for it by Battista del Cinque, with
columns, cornices, brackets, and other carvings very well executed.
Public-domain text, read in full here on John Shaqi.
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