Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il SodomaVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il Sodoma
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
other things in the way of wood-carving that were to be included in
the work, being a man who let time slip through his fingers in arguing
and jesting; and there was only just time to cover the horse alone
with tin-foil laid upon the still fresh clay. On the base were to be
read the following words:
IMPERATORI CAROLO AUGUSTO VICTORIOSISSIMO, POST DEVICTOS HOSTES,
ITALIAE PACE RESTITUTA ET SALUTATO FERDIN. FRATRE, EXPULSIS ITERUM
TURCIS AFRICAQUE PERDOMITA, ALEXANDER MED. DUX FLORENTIAE, D.D.
His Majesty having departed from Florence, a beginning was made with
the preparations for the nuptials, in expectation of his daughter, and
to the end that she and the Vice-Queen of Naples, who was in her
company, might be commodiously lodged according to the orders of his
Excellency in the house of M. Ottaviano de' Medici, an addition was
made to his old house in four weeks, to the astonishment of everyone;
and Tribolo, the painter Andrea di Cosimo, and I, in ten days, with
the help of about ninety sculptors and painters of the city, what with
masters and assistants, completed the preparations for the wedding in
so far as appertained to the house and its decorations, painting the
loggie, courtyards, and other spaces in a manner suitable for nuptials
of such importance. Among these decorations, Tribolo made, besides
other things, two Victories in half-relief that were one on either
side of the principal door, supported by two large terminal figures,
which also upheld the escutcheon of the Emperor, pendent from the
neck of a very beautiful eagle in the round. The same master also made
certain boys, likewise in the round, and large in size, which were
placed on either side of some heads over the pediments of various
doors; and these were much extolled.
Public-domain text, read in full here on John Shaqi.
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