Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il SodomaVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il Sodoma
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
[Illustration: CAPPELLA DE' PELLEGRINI
(_After =Michele San Michele=. Verona: S. Bernardino_)
_Alinari_]
At Padua he built the bastion called the Cornaro, and likewise that of
S. Croce, which are both of marvellous size, and constructed in the
modern manner, according to the order invented by Michele himself. For
the method of making bastions with angles was the invention of
Michele, and before his day they were made round; and whereas that
kind of bastion was very difficult to defend, at the present day,
having an obtuse angle on the outer side, they can be defended with
ease, either from the cavalier erected between the two bastions and
near to them, or, indeed, from the other bastion, provided that it
be near the one attacked and the ditch wide. His invention, also, was
the method of making bastions with three platforms, whereby the two at
the sides guard and defend the ditch and the curtains, with their open
embrasures, and the merlon in the centre defends itself and attacks
the enemy in front. This method of fortification has since been
imitated by everyone, causing the abandonment of the ancient fashion
of subterranean embrasures, called casemates, in which, on account of
the smoke and other impediments, the artillery could not be well
handled; not to mention that they often weakened the foundations of
the towers and walls.
The same Michele built two very beautiful gates at Legnago. He
directed at Peschiera the work of the first foundation of that
fortress, and likewise many works at Brescia; and he always did
everything with such diligence and such good foundations, that not one
of his buildings ever showed a crack. Finally, he restored the
fortress of La Chiusa above Verona, making it possible for persons to
pass by without entering the fortress, but yet in such a manner that,
on the raising of a bridge by those who are within, no one can pass by
against their will, or even show himself on the road, which is very
narrow and cut out of the rock. He also built at Verona, just after he
had returned from Rome, the very beautiful bridge over the Adige,
called the Ponte Nuovo, doing this at the commission of Messer
Giovanni Emo, at that time Podesta of that city; which bridge was on
account of its strength, as it still is, a marvellous thing.
Public-domain text, read in full here on John Shaqi.
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