Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il SodomaVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il Sodoma
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Michele was excellent not only in fortifications, but also in private
buildings and in temples, churches, and monasteries, as may be seen
from many buildings at Verona and other places, and particularly from
the most ornate and beautiful Chapel of the Guareschi in S.
Bernardino, which is round after the manner of a temple, and in the
Corinthian Order, with all the ornaments which that manner admits.
That chapel, I say, he built all of that white pietra viva, which,
from the sound that it makes when it is being worked, is called in
that city "Bronzo"; and, in truth, that kind of stone, after fine
marble, is the most beautiful that has been found down to our own
times, being absolutely solid and without holes or spots that might
spoil it. Since that chapel, then, is built on the inside all of that
most beautiful stone, and wrought by excellent masters of carving, and
put together very well, it is considered that among works of that kind
there is at the present day no other more beautiful in all Italy. For
Michele made the whole work curve in a circle in such a manner, that
three altars which are in it, with their pediments and cornices, and
likewise the space of the door, all turn in a perfect round, almost
after the likeness of the entrances that Filippo Brunelleschi made in
the Chapels of the Temple of the Angeli in Florence; which is a very
difficult thing to do. Michele then made therein a gallery over the
first range of columns, which circles right round the chapel, and
there are to be seen most beautiful carvings in the form of columns,
capitals, foliage, grotesques, little pilasters, and other things,
carved with incredible diligence. The door of that chapel he made
quadrangular on the outer side, of the Corinthian Order and very
beautiful, and similar to an ancient door that he saw, so he used to
say, in some place at Rome. It is true, indeed, that this work, after
having been left unfinished by Michele, I know not for what reason,
was given, either from avarice or from lack of judgment, to certain
others to be finished, who spoiled it, to the infinite vexation of
Michele, who in his lifetime saw it ruined before his very eyes,
without being able to prevent it; wherefore he used to complain at
times to his friends, but only on this account, that he had not
thousands of ducats wherewith to buy it from the avaricious hands of a
woman who, by spending less than she was able, was shamefully spoiling
it.
Public-domain text, read in full here on John Shaqi.
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