Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il SodomaVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il Sodoma
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Through the above-mentioned gate, which is at the upper end of this
garden, above some steps, one enters into another garden, as wide as
the first, but of no great depth in the direct line, in comparison
with the mountain beyond. In this garden were to be two other loggie,
one on either side, and in the wall opposite to the gate, which
supports the soil of the mountain, there was to be in the centre a
grotto with three basins, with water playing into them in imitation of
rain. The grotto was to be between two fountains placed in the same
wall, and opposite to these, in the lower wall of the garden, were to
be two others, one on either side of the gate; so that the fountains
of this garden would have been equal in number to those of the other,
which is below it, and receives its water from the first, which is
higher. And this garden was to be all full of orange-trees, which
would have had--and will have, whenever that may be--a most favourable
situation, being defended by the walls and by the mountain from the
north wind and other harmful winds.
From this garden one climbs by two staircases of flint, one on either
side, to a forest of cypresses, fir-trees, holm-oaks, laurels, and
other evergreen trees, distributed with beautiful order, in the middle
of which, according to Tribolo's design, there was to be a most lovely
fish-pond, which has since been made. And because this part, gradually
narrowing, forms an angle, that angle, to the end that it might be
made flat, was to be blunted by the breadth of a loggia, from which,
after climbing some steps, might be seen in front the palace, the
gardens, the fountains, and all the plain below and about them, as far
as the Ducal Villa of Poggio a Caiano, Florence, Prato, Siena, and all
that is around for many miles.
Now the above-named Maestro Pietro da San Casciano, having carried his
work of the aqueduct as far as Castello, and having turned into it all
the waters of Castellina, was overtaken by a violent fever, and died
in a few days. Whereupon Tribolo, undertaking the charge of directing
all the building by himself, perceived that, although the waters
brought to Castello were in great abundance, nevertheless they were
not sufficient for all that he had made up his mind to do; not to
mention that, coming from Castellina, they did not rise to the height
that he required for his purposes. Having therefore obtained from the
Lord Duke a commission to conduct thither the waters of Petraia, a
place more than one hundred and fifty braccia above Castello, which
are good and very abundant, he caused a conduit to be made, similar to
the other, and so high that one can enter into it, to the end that
thus those waters of Petraia might come to the fish-pond through
another aqueduct with enough fall for the fish-pond and the great
fountain.
Public-domain text, read in full here on John Shaqi.
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