Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il SodomaVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il Sodoma
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Now Giovanni Antonio was taken to Siena by some merchants, agents of
the Spannocchi family, and his good fortune, or perhaps his bad
fortune, would have it that, not finding any competition for a time in
that city, he should work there alone; which, although it was some
advantage to him, was in the end injurious, for the reason that he
went to sleep, as it were, and never studied, but did most of his work
by rule of thumb. And, if he did study a little, it was only in
drawing the works of Jacopo della Fonte, which were much esteemed, and
in little else. In the beginning he executed many portraits from life
with that glowing manner of colouring which he had brought from
Lombardy, and he thus made many friendships in Siena, more because
that people is very kindly disposed towards strangers than because he
was a good painter; and, besides this, he was a gay and licentious
man, keeping others entertained and amused with his manner of living,
which was far from creditable. In which life, since he always had
about him boys and beardless youths, whom he loved more than was
decent, he acquired the by-name of Sodoma; and in this name, far from
taking umbrage or offence, he used to glory, writing about it songs
and verses in terza rima, and singing them to the lute with no little
facility. He delighted, in addition, to have about the house many
kinds of extraordinary animals; badgers, squirrels, apes, marmosets,
dwarf asses, horses, barbs for running races, little horses from Elba,
jays, dwarf fowls, Indian turtle-doves, and other suchlike animals, as
many as he could lay his hands on. But, besides all these beasts, he
had a raven, which had learned from him to speak so well, that in some
things it imitated exactly the voice of Giovanni Antonio, and
particularly in answering to anyone who knocked at the door, doing
this so excellently that it seemed like Giovanni Antonio himself, as
all the people of Siena know very well. In like manner, the other
animals were so tame that they always flocked round anybody in the
house, playing the strangest pranks and the maddest tricks in the
world, insomuch that the man's house looked like a real Noah's Ark.
[Illustration: SCENE FROM THE LIFE OF S. BENEDICT
(_After the fresco by =Giovanni Antonio Bazzi [Il Sodoma]=. Monte
Oliveto Maggiore_)
_Alinari_]
Public-domain text, read in full here on John Shaqi.
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