Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il SodomaVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il Sodoma
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
ARTS. L L LIBERALITY.
TONGUES. O O WISDOM.
SCIENCES. G G NOBILITY.
ARMS. G G VALOUR.
PEACE. I I COMPASSION.
LAWS. A A JUSTICE.
AUTUMN. GATE. LOGGIA. GATE. WINTER.
All these ornaments would have made this in truth the richest, the
most magnificent, and the most ornate garden in Europe; but these
works were not carried to completion, for the reason that Tribolo was
not able to take measures to have them finished while the Duke was in
the mind to continue them, as he might have done in a short time,
having men in abundance and the Duke ready to spend money, and not
suffering from those hindrances that afterwards stopped him. The Duke,
indeed, not being contented at that time with the great quantity of
water that is to be seen there, was thinking of trying to obtain the
water of Valcenni, which is very abundant, in order to join it with
the rest, and then to conduct it from Castello by an aqueduct similar
to the one which he had made to the Piazza in front of his Palace in
Florence. And of a truth, if this work had been pressed forward by a
man with greater energy and more desire of glory, it would have been
carried at least well on; but since Tribolo, besides that he was much
occupied with various affairs of the Duke's, had not much energy,
nothing more was done. And in all the time that he worked at Castello,
he did not execute with his own hand anything save the two fountains,
with the two rivers, the Arno and the Mugnone, and the statue of
Fiesole; this arising from no other cause, so far as one can see, but
his being too much occupied, as has been related, with the many
affairs of the Duke.
Among other things, the Duke caused him to make a bridge over the
River Mugnone on the high road that goes to Bologna, without the Porta
a S. Gallo. This bridge, since the river crosses the road obliquely,
Tribolo caused to be built with an arch likewise oblique, in
accordance with its oblique line across the river, which was a new
thing, and much extolled, above all because he had the arch put
together of stones cut on the slant on every side in such a manner
that it proved to be very strong and very graceful; in short, this
bridge was a very beautiful work.
Public-domain text, read in full here on John Shaqi.
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