PAOLO VERONESE (PAOLINO _or_ CALIARI) The Feast in the House of Levi Venice: Accademia, 203 238 PAOLO VERONESE (PAOLINO _or_ CALIARI) Venice Enthroned, with Justice and Peace Venice: Ducal Palace 240 GIOVANNI ANTONIO BAZZI (IL SODOMA) Scene from the Life of S. Benedict Monte Oliveto Maggiore 246 GIOVANNI ANTONIO BAZZI (IL SODOMA) Scene from the Life of S. Benedict Monte Oliveto Maggiore 246 GIOVANNI ANTONIO BAZZI (IL SODOMA) Detail: the Marriage of Alexander and Roxana Rome: Villa Farnesina 248 GIOVANNI ANTONIO BAZZI (IL SODOMA) S. Sebastian Florence: Uffizi, 1279 250 GIOVANNI ANTONIO BAZZI (IL SODOMA) S. Ansano Siena: Palazzo Pubblico 252 GIOVANNI ANTONIO BAZZI (IL SODOMA) S. Francis Siena: S. Bernardino, Oratory 252 GIOVANNI ANTONIO BAZZI (IL SODOMA) The Adoration of the Magi Siena: S. Agostino 254 GIOVANNI ANTONIO BAZZI (IL SODOMA) The Sacrifice of Isaac Pisa: Duomo 256 NICCOLO, CALLED TRIBOLO LIFE OF NICCOLO, CALLED TRIBOLO SCULPTOR AND ARCHITECT Raffaello the carpenter, surnamed Il Riccio de' Pericoli, who lived near the Canto a Monteloro in Florence, had born to him in the year 1500, as he used to tell me himself, a male child, whom he was pleased to call at baptism, like his own father, Niccolo; and having perceived that the boy had a quick and ready intelligence and a lofty spirit, he determined, although he was but a poor artisan, that he should begin straightway by learning to read and write well and cast accounts. Sending him to school, therefore, it came about, since the child was very vivacious and so high-spirited in his every action, that he was always cramped for room and was a very devil both among the other boys at school and everywhere else, always teasing and tormenting both himself and others, that he lost his own name of Niccolo and acquired that of Tribolo[2] to such purpose, that he was called that ever afterwards by everyone. [Footnote 2: Teasel.]