Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il SodomaVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il Sodoma
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Come potro da me, se tu non presti
O forza, o tregua al mio gran duolo interno,
Soffrirlo in pace mai, Signor superno,
Che fin qui nuova ognor pena mi desti?
Dunque de' miei piu cari or quegli, or questi,
Verde sen voli all'alto Asilo eterno,
Ed io canuto in questo basso inferno
A pianger sempre e lamentarmi resti?
Sciolgami almen tua gran bontade quinci,
Or che reo fato nostro, o sua ventura,
Ch' era ben degno d' altra vita, e gente,
Per far piu ricco il cielo, e la scultura
Men bella, e me col buon Martin dolente,
N' ha privi, o pieta, del secondo Vinci.
BACCIO BANDINELLI
LIFE OF BACCIO BANDINELLI
SCULPTOR OF FLORENCE
In the days when the arts of design flourished in Florence by the
favour and assistance of the elder Lorenzo de' Medici the Magnificent,
there lived in the city a goldsmith called Michelagnolo di Viviano of
Gaiuole, who worked excellently well at chasing and incavo for enamels
and niello, and was very skilful in every sort of work in gold and
silver plate. This Michelagnolo had a great knowledge of jewels, and
set them very well; and on account of his talents and his versatility
all the foreign masters of his art used to have recourse to him, and
he gave them hospitality, as well as to the young men of the city,
insomuch that his workshop was held to be, as it was, the first in
Florence. Of him the Magnificent Lorenzo and all the house of Medici
availed themselves; and for the tourney that Giuliano, the brother of
that Magnificent Lorenzo, held on the Piazza di S. Croce, he executed
with subtle craftsmanship all the ornaments of helmets, crests, and
devices. Wherefore he acquired a great name and much intimacy with the
sons of the Magnificent Lorenzo, to whom his work was ever afterwards
very dear, and no less useful to him their acquaintance and
friendship, by reason of which, and also by the many works that he
executed throughout the whole city and dominion, he became a man of
substance as well as one of much repute in his art. To this
Michelagnolo the Medici, on their departure from Florence in the year
1494, entrusted much plate in silver and gold, which was all kept in
safe hiding by him and faithfully preserved until their return, when
he was much extolled by them for his fidelity, and afterwards
recompensed with rewards.
Public-domain text, read in full here on John Shaqi.
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