Beginning with the eastern side, then, next to the stage, in the first picture, which was by the hand of Francesco Ubertini, called Il Bacchiacca, was the Return from Exile of the Magnificent Cosimo de' Medici; the device consisted of two Doves on a Golden Bough, and the arms in the frieze were those of Duke Cosimo. In the second, which was by the same hand, was the Journey of the Magnificent Lorenzo to Naples; the device a Pelican, and the arms those of Duke Lorenzo--namely, Medici and Savoy. In the third picture, painted by Pier Francesco di Jacopo di Sandro, was Pope Leo X on his visit to Florence, being carried by his fellow-citizens under the baldachin; the device was an Upright Arm, and the arms those of Duke Giuliano--Medici and Savoy. In the fourth picture, by the same hand, was Biegrassa taken by Signor Giovanni, who was to be seen issuing victorious from that city; the device was Jove's Thunderbolt, and the arms in the frieze were those of Duke Alessandro--Austria and Medici. In the fifth, Pope Clement was crowning Charles V at Bologna; the device was a Serpent that was biting its own tail, and the arms were those of France and Medici. That picture was by the hand of Domenico Conti, the disciple of Andrea del Sarto, who proved that he had no great ability, being deprived of the assistance of certain young men whose services he had thought to use, since all, both good and bad, were employed; wherefore he was laughed at, who, much presuming, at other times with little discretion had laughed at others. In the sixth scene, the last on that side, by the hand of Bronzino, was the Dispute that took place at Naples, before the Emperor, between Duke Alessandro and the Florentine exiles, with the River Sebeto and many figures, and this was a most beautiful picture, and better than any of the others; the device was a Palm, and the arms those of Spain.