Lives of the most Eminent Painters Sculptors and Architects, Vol. 08 (of 10): Bastiano to Taddeo ZuccheroVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 08 (of 10): Bastiano to Taddeo Zucchero
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
The church finished, the same Prince Doria ordained that work should be
begun on his Palace, and that new additions of buildings should be made
to it, with very beautiful gardens. These were executed under the
direction of the Frate, who, having at the last constructed a fish-pond
in front of that Palace, made a sea monster of marble in full-relief,
which pours water in great abundance into that fish-pond; and after the
likeness of that monster he made for those lords another, which was sent
into Spain to Granvela. He also executed a great Neptune in stucco,
which was placed on a pedestal in the garden of the Prince; and he made
in marble two portraits of the same Prince and two of Charles V, which
were taken by Covos to Spain.
Much the friends of the Frate, while he was living in Genoa, were Messer
Cipriano Pallavicino, who, being a man of great judgment in the matters
of our arts, has always associated readily with the most excellent
craftsmen, and has shown them every favour; the Lord Abbot Negro, Messer
Giovanni da Montepulciano, the Lord Prior of S. Matteo, and, in a word,
all the first lords and gentlemen of that city, in which he acquired
both fame and riches.
Having finished the works described above, Fra Giovanni Agnolo departed
from Genoa and went to Rome to visit Buonarroti, whom he had not seen
for many years past, and to try if he could by some means pick up again
the thread of his connection with the Duke of Florence and return to
complete the Hercules that he had left unfinished. But, after arriving
in Rome, where he bought himself the title of Chevalier of S. Pietro, he
heard by letters received from Florence that Bandinelli, pretending to
be in want of marble, and giving out that the above-named Hercules was a
piece of marble spoiled, had broken it up, with the leave of Riccio the
majordomo, and had used it to make cornices for the tomb of Signor
Giovanni, on which he was then at work; and at this he felt such
disdain, that for the time being he would not on any account return to
visit Florence, since it appeared to him that the presumption,
arrogance, and insolence of that man were too easily endured.
[Illustration: FOUNTAIN OF NEPTUNE
(_After =Fra Giovanni Agnolo Montorsoli=. Messina: Piazza del Duomo_)
_Brogi_]
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