Lives of the most Eminent Painters Sculptors and Architects, Vol. 08 (of 10): Bastiano to Taddeo ZuccheroVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 08 (of 10): Bastiano to Taddeo Zucchero
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
In this part of the Lives that we are about to write we shall give a
brief account of the best and most eminent painters, sculptors, and
architects who have lived in Lombardy in our time, after Mantegna,
Costa, Boccaccino of Cremona, and Francia of Bologna; for I am not able
to write the life of each in detail, and it seems to me enough to
enumerate their works. And even this I would not have set myself to do,
nor to give a judgment on those works, if I had not first seen them; but
since, from the year 1542 down to this present year of 1566, I had not
travelled, as I did before, over almost the whole of Italy, nor seen the
above-mentioned works and the others that had appeared in great numbers
during that period of four-and-twenty years, I resolved, before writing
of them, being almost at the end of this my labour, to see them and
judge of them with my own eyes. Wherefore, after the conclusion of the
above-mentioned nuptials of the most illustrious Lord Don Francesco de'
Medici, Prince of Florence and Siena, my master, and of her serene
Highness Queen Joanna of Austria, on account of which I had been much
occupied for two years on the ceiling of the principal hall of their
Palace, I resolved, without sparing any expense or fatigue, to revisit
Rome, Tuscany, part of the March, Umbria, Romagna, Lombardy, and Venice
with all her domain, in order to re-examine the old works and to see the
many that have been executed from the year 1542 onward. And so, having
made a record of the works that were most notable and most worthy to be
put down in writing, in order not to do wrong to the talents of many
craftsmen or depart from that sincere truthfulness which is expected
from those who write history of any kind, I shall proceed without bias
of mind to write down all that is wanting in any part of what has been
already written, without disturbing the order of the story, and then to
give an account of the works of some who are still living, and have
worked or are still working excellently well; for it appears to me that
so much is demanded by the merits of many rare and noble craftsmen.
Public-domain text, read in full here on John Shaqi.
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