Lives of the most Eminent Painters Sculptors and Architects, Vol. 08 (of 10): Bastiano to Taddeo ZuccheroVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 08 (of 10): Bastiano to Taddeo Zucchero
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
the oval towards the horn of the facade that looks out over the
garden, where you must place her lover Endymion, and she shall lean
down from the car to kiss him, and, not being able by reason of the
interposition of the border, she shall gaze lovingly upon him and
illumine him with her radiance. For Endymion you must make a beautiful
young shepherd, asleep at the foot of Mount Latmus. In the horn on the
other side there shall be Pan, the God of Shepherds, who was enamoured
of the Moon; his figure is very well known. Round his neck place his
pipes, and with both hands he shall hold out towards the Moon a skein
of white wool, with which he is fabled to have won her love; and with
that present he must appear to be persuading her to come down to live
with him. In the rest of the space of the same great window you must
paint a scene, and that shall be the scene of the sacrifices to the
Lemures, which men used to hold at night in order to drive evil
spirits from their houses. The ritual of these sacrifices was to go
about, with the hands washed and the feet bare, scattering black
beans; first rolling them about in the mouth, and then throwing them
over the shoulder; and among the company were some who made a noise by
sounding basins and suchlike instruments of copper.
"On the left side of the oval you must paint Mercury in the ordinary
manner, with the little winged cap, with the winged sandals on the
feet, with the Caduceus in the left hand, and with the purse in the
right; altogether nude, save for his little mantle on the shoulder; a
most beautiful youth, but with a natural beauty, without any artifice;
of a cheerful countenance, spirited eyes, beardless, or with the first
down, with reddish hair, and narrow in the shoulders. Some place wings
over his ears, and make certain golden feathers coming out of his
hair. The attitude you may make as you please, provided only that it
shows him gliding down from Heaven in order to infuse sleep, and,
turning towards the side of the bed, about to touch the tester with
his wand. On the left-hand facade, in the horn next to the facade at
the foot, we might have the Lares, his two sons, who were the tutelary
spirits of private houses; namely, two young men dressed in the skins
of dogs, with certain garments girt up and thrown over the left
shoulder in such a way that they may come out under the right, in
order to signify that they are unencumbered and ready to guard the
house. They shall sit one beside the other, each holding a spear in
the right hand, and between them, in the centre, there shall be a dog,
and above them a small head of Vulcan, wearing a little cap, with a
smith's pincers beside it. In the other horn, next to the facade at
the head, you must paint a Battus being converted into stone for
having revealed the cattle stolen by Mercury. Let him be an old
shepherd seated, showing with the forefinger of the right arm the
place where the cattle were hidden, and leaning with the left arm on a
Public-domain text, read in full here on John Shaqi.
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