Lives of the most Eminent Painters Sculptors and Architects, Vol. 08 (of 10): Bastiano to Taddeo ZuccheroVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 08 (of 10): Bastiano to Taddeo Zucchero
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
stick or rod, the herdsman's staff; and from the waist downwards he
must be of black stone of the colour of basanite, into which stone he
was converted. Then in the rest of the great window you must paint the
scene of the sacrifice that the ancients used to offer to Mercury to
the end that their sleep might not be interrupted; and to represent
this it is necessary to make an altar with his statue upon it, at the
foot of that a fire, and all around persons who are throwing into it
pieces of wood for burning, and who, having in their hands cups full
of wine, are sprinkling part of the wine and drinking the rest.
"In the centre of the oval, in order to fill up all the space of the
heaven, I would paint Twilight, as being the mean between Aurora and
Night. To represent him, I find that one must paint a young man wholly
naked, sometimes with wings and sometimes without, and with two
lighted torches, one of which we must show being kindled at that of
Aurora, and the other held out towards Night. Some represent this
young man, with the same two torches, as riding on one of the horses
of the Sun or of Aurora, but this would not be a composition suitable
for our purpose; wherefore we shall make him as described above,
turned towards Night, and place behind him, between his legs, a great
star, which shall be that of Venus, because Venus, Phosphorus,
Hesperus, and Twilight seem to be regarded as one and the same thing.
And with the exception of this star, see to it that all the lesser
stars near the Aurora shall have disappeared.
Public-domain text, read in full here on John Shaqi.
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