For S. Domenico, in the same city, he painted two altar-pieces in oils; in one is the Miracle of the Cross and S. Helen, and in the other is S. Peter Martyr with a good number of very beautiful figures, wherein it is evident that Benvenuto departed considerably from his first manner, making it bolder and less laboured. For the Nuns of S. Salvestro he painted an altar-picture of Christ praying to His Father on the Mount, while the three Apostles are lower down, sleeping. For the Nuns of S. Gabriello he executed an Annunciation, and for those of S. Antonio, in the altar-piece of their high-altar, the Resurrection of Christ. For the high-altar of the Frati Ingesuati, in the Church of S. Girolamo, he painted Jesus Christ in the Manger, with a choir of Angels on a cloud, held to be very beautiful. In S. Maria del Vado, in an altar-piece by the same hand, very well conceived and coloured, is Christ ascending into Heaven, with the Apostles standing in contemplation of Him. For the Church of S. Giorgio, a seat of the Monks of Monte Oliveto, without the city, he painted an altar-piece in oils of the Magi adoring Christ and offering to Him myrrh, incense, and gold; and this is one of the best works that Benvenuto ever executed in all his life. All these works much pleased the people of Ferrara, by reason of which he executed pictures almost without number for their houses, and many others for monasteries and for the townships and villas round about the city; and, among others, he painted the Resurrection of Christ in an altar-piece for Bondeno. And, finally, he executed in fresco with beautiful and fantastic invention, in the Refectory of S. Andrea, many figures that are bringing the Old Testament into accord with the New. But, since the works of this master are numberless, let it be enough to have spoken of those that are the best. Girolamo da Carpi having received his first instructions in painting from Benvenuto, as will be related in his Life, they painted in company the facade of the house of the Muzzarelli, in the Borgo Nuovo, partly in chiaroscuro and partly in colours, with some things done in imitation of bronze. They painted together, likewise, both within and without, the Palace of Coppara, a place of recreation belonging to the Duke of Ferrara; for which lord Benvenuto executed many other works, both by himself and in company with other painters.