Lives of the most Eminent Painters Sculptors and Architects, Vol. 08 (of 10): Bastiano to Taddeo ZuccheroVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 08 (of 10): Bastiano to Taddeo Zucchero
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
But dear beyond all the others to Ridolfo was a disciple of Lorenzo di
Credi, who was also with Andrea del Ceraiolo, called Michele, a young
man of an excellent nature, who executed his works with boldness and
without effort. This Michele, then, following the manner of Ridolfo,
approached him so closely that, whereas at the beginning he received
from his master a third of his earnings, they came to execute their
works in company, and shared the profits. Michele looked upon Ridolfo
always as a father, and loved him, and also was so beloved by him, that,
as one belonging to Ridolfo, he has ever been and still is known by no
other name but Michele di Ridolfo. These two, I say, loving each other
like father and son, executed innumerable works in company. First, for
the Church of S. Felice in Piazza, a place then belonging to the Monks
of Camaldoli, they painted in an altar-piece Christ and Our Lady in the
air, who are praying to God the Father for the people below, where some
Saints are kneeling. In S. Felicita they painted two chapels in fresco,
despatching them in an able manner; in one is the Dead Christ with the
Maries, and in the other the Assumption of Our Lady, with some Saints.
For the Church of the Nuns of S. Jacopo delle Murate they executed an
altar-piece at the commission of Bishop de' Bonafe of Cortona: and for
the Convent of the Nuns of Ripoli another altar-piece with Our Lady and
some Saints. For the Chapel of the Segni, below the organ in the Church
of S. Spirito, they painted, likewise in an altar-piece, Our Lady, S.
Anne, and many other Saints; for the Company of the Neri a picture of
the Beheading of S. John the Baptist; and for the Monachine in Borgo S.
Friano an altar-piece of the Annunciation. In another altar-piece, for
S. Rocco at Prato, they painted S. Rocco, S. Sebastian, and between them
Our Lady; and likewise, for the Company of S. Bastiano, beside S. Jacopo
sopra Arno, they executed an altar-piece containing Our Lady, S.
Sebastian, and S. James; with another for S. Martino alla Palma. And,
finally, they painted for S. Alessandro Vitelli a S. Anne in a picture
that was sent to Citta di Castello, and placed in the chapel of that
lord in S. Fiorido.
Public-domain text, read in full here on John Shaqi.
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