Lives of the most Eminent Painters Sculptors and Architects, Vol. 08 (of 10): Bastiano to Taddeo ZuccheroVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 08 (of 10): Bastiano to Taddeo Zucchero
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
But, since the works and pictures that issued from Ridolfo's shop were
without number, and even more so the portraits from life, I shall say
only that a portrait was made by him of Signor Cosimo de' Medici when he
was very young, which was a most beautiful work, and very true to life;
which picture is still preserved in the guardaroba of his Excellency.
Ridolfo was a rapid and resolute painter in certain kinds of work, and
particularly in festive decorations; and thus, for the entry of the
Emperor Charles V into Florence, he executed in ten days an arch at the
Canto alla Cuculia, and another arch in a very short time at the Porta
al Prato for the coming of the most illustrious Lady, Duchess Leonora,
as will be related in the Life of Battista Franco. At the Madonna di
Vertigli, a seat of the Monks of Camaldoli, without the township of
Monte Sansovino, Ridolfo, having with him the above-named Battista
Franco and Michele, executed in chiaroscuro, in a little cloister, all
the stories of the life of Joseph; in the church, the altar-pieces of
the high-altar, and a Visitation of Our Lady in fresco, which is as
beautiful as any work in fresco that Ridolfo ever painted. But lovely
beyond all others, in the venerable aspect of the countenance, is the
figure of S. Romualdo, which is on that high-altar. They also executed
other pictures there, but it must suffice to have spoken of these.
Ridolfo painted grotesques on the vaulting of the Green Chamber in the
Palace of Duke Cosimo, and some landscapes on the walls, which much
pleased the Duke.
Finally, having grown old, Ridolfo lived a very happy life, having his
daughters married, and seeing his sons well started in the affairs of
commerce in France and at Ferrara. And, although afterwards he found
himself so oppressed by the gout that he stayed always in the house or
had to be carried in a chair, nevertheless he bore that infirmity with
great patience, and also some misfortunes suffered by his sons. Old as
he was, he felt a great love for the world of art, and insisted on being
told of, and at times on seeing, those works that he heard much praised,
such as buildings, pictures, and other suchlike things that were being
executed every day; and one day that the Lord Duke was out of Florence,
having had himself carried in his chair into the Palace, he dined there
and stayed the whole day, gazing at that Palace, which was so changed
and transformed from what it was before, that he did not recognize it;
and in the evening, when going away, he said: "I die happy, because I
shall be able to carry to our craftsmen in the next world the news that
I have seen the dead restored to life, the ugly rendered beautiful, and
the old made young." Ridolfo lived seventy-five years, and died in the
year 1560; and he was buried with his forefathers in S. Maria Novella.
Public-domain text, read in full here on John Shaqi.
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