Now, since not only in the Life of Ridolfo Ghirlandajo I have spoken of his disciple Michele and of Carlo da Loro, but also in other places, I shall say nothing more of them here, although they are of our Academy, enough having been said of them. But I will not omit to tell that other disciples and pupils of Ghirlandajo have been Andrea del Minga, likewise one of our Academicians, who has executed many works, as he still does; Girolamo di Francesco Crocifissaio, a young man of twenty-six, and Mirabello di Salincorno, both painters, who have done and continue to do such works of painting in oils and in fresco, and also portraits, that a most honourable result may be expected from them. These two executed together, now several years ago, some pictures in fresco in the Church of the Capuchins without Florence, which are passing good; and in the obsequies of Michelagnolo and the above-mentioned nuptials, also they did themselves much honour. Mirabello has painted many portraits, and in particular that of the most illustrious Prince more than once, and many others that are in the hands of various gentlemen of Florence. Another, also, who has done much honour to our Academy and to himself, is Federigo di Lamberto of Amsterdam, a Fleming, the son-in-law of the Paduan Cartaro, working in the said obsequies and in the festive preparations for the nuptials of the Prince, and besides this he has shown in many pictures painted in oils, both large and small, and in other works that he has executed, a good manner and good design and judgment. And if he has merited praise up to the present, he will merit even more in the future, for he is labouring constantly with much advantage in Florence, which he appears to have chosen as his country, that city being one where young men derive much benefit from competition and emulation.