Now, deceits giving rise to affronts, and affronts to dissensions and
quarrels and a thousand other suchlike evils, since Cupid, by reason of
the hurt received from the cruel lamp, was not able to attend to his
customary office of inflaming the hearts of living mortals, in the
fourth interlude, in place of the seven mounds that had been shown on
the stage the time before, there were seen to appear in this one (to
give material for the disturbances of the comedy) seven little abysses,
from which there first came a black smoke, and then, little by little,
was seen to appear Discord with an ensign in the hand, recognized,
besides her arms, by the torn and varied dress and by the tresses, and
with her Rage, also recognized, besides the arms, by the buskins in the
form of claws, and by the bear's head in place of a helmet, from which
poured a constant stream of smoke and flame; and Cruelty, with the great
scythe in her hand, known by the helmet in the likeness of a tiger's
head and by the buskins after the manner of the feet of a crocodile; and
Rapine, also, with the pruning-hook in her hand, with the bird of prey
on the helmet, and with the feet in the likeness of an eagle; and
Vengeance, with a bloody scimitar in the hand, and with buskins and
helmet all woven of vipers; and two Anthropophagi, or Lestrigonians, as
we would rather call them, who, sounding two trombones in the form of
ordinary trumpets, appeared to be seeking with a certain bellicose
movement (besides the sound) to excite the audience of bystanders to
combat. Each of these was between two Furies, horrible companions,
furnished with drums, whips of iron, and various arms, beneath which
with the same dexterity had been hidden various musical instruments. The
above-named Furies could be recognized by the wounds wherewith their
whole persons were covered, from which were seen pouring flames of fire,
by the serpents with which they were all encircled and bound, by the
broken chains that hung from their legs and arms, and by the fire and
smoke that issued from their hair. And all these, having sung the
following madrigal all together with a certain fiery and warlike
harmony, performed in the manner of combatants a novel, bold, and most
extravagant Moorish dance; at the end of which, running here and there
in confusion about the stage, they were seen finally to take themselves
in a horrible and fearsome rout out of the sight of the spectators:
In bando itene, vili
Inganni; il mondo solo ira e furore
Sent' oggi; audaci voi, spirti gentili,
Venite a dimostrar vostro valore;
Che se per la lucerna or langue amore,
Nostro convien, non che lor sia l' impero.
Su dunque ogni piu fero
Cor surga; il nostro bellicoso carme
Guerra, guerra sol grida, e solo arm', arme.
FIFTH INTERLUDE.
Public-domain text, read in full here on John Shaqi.
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