Oneirocriticism, or the art of interpreting dreams, seems of all the
modes of prediction the most inseparable from the nature of man. A
considerable portion of every twenty-four hours of our lives is spent
in sleep; and in sleep nothing is at least more usual, than for the
mind to be occupied in a thousand imaginary scenes, which for the time
are as realities, and often excite the passions of the mind of the
sleeper in no ordinary degree. Many of them are wild and rambling; but
many also have a portentous sobriety. Many seem to have a strict
connection with the incidents of our actual lives; and some appear as
if they came for the very purpose to warn us of danger, or prepare us
for coming events. It is therefore no wonder that these occasionally
fill our waking thoughts with a deep interest, and impress upon us an
anxiety of which we feel it difficult to rid ourselves. Accordingly,
in ages when men were more prone to superstition, than at present,
they sometimes constituted a subject of earnest anxiety and
inquisitiveness; and we find among the earliest exercises of the art
of prediction, the interpretation of dreams to have occupied a
principal place, and to have been as it were reduced into a science.
CASTING OF LOTS.
The casting of lots seems scarcely to come within the enumeration here
given. It was intended as an appeal to heaven upon a question involved
in uncertainty, with the idea that the supreme Ruler of the skies,
thus appealed to, would from his omniscience supply the defect of
human knowledge. Two examples, among others sufficiently remarkable,
occur in the Bible. One of Achan, who secreted part of the spoil taken
in Jericho, which was consecrated to the service of God, and who,
being taken by lot, confessed, and was stoned to death. [1] The other
of Jonah, upon whom the lot fell in a mighty tempest, the crew of the
ship enquiring by this means what was the cause of the calamity that
had overtaken them, and Jonah being in consequence cast into the sea.
ASTROLOGY.
Public-domain text, read in full here on John Shaqi.
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