Prometheus, one of the race of the giants, was peculiarly distinguished
for his proficiency in the arts. Among other extraordinary productions
he formed a man of clay, of such exquisite workmanship, as to have
wanted nothing but a living soul to cause him to be acknowledged as
the paragon of the world. Minerva beheld the performance of Prometheus
with approbation, and offered him her assistance. She conducted him to
heaven, where he watched his opportunity to carry off on the tip of
his wand a portion of celestial fire from the chariot of the sun. With
this he animated his image; and the man of Prometheus moved, and
thought, and spoke, and became every thing that the fondest wishes of
his creator could ask. Jupiter ordered Vulcan to make a woman, that
should surpass this man. All the Gods gave her each one a several
gift: Venus gave her the power to charm; the Graces bestowed on her
symmetry of limb, and elegance of motion; Apollo the accomplishments
of vocal and instrumental music; Mercury the art of persuasive speech;
Juno a multitude of rich and gorgeous ornaments; and Minerva the
management of the loom and the needle. Last of all, Jupiter presented
her with a sealed box, of which the lid was no sooner unclosed, than a
multitude of calamities and evils of all imaginable sorts flew out,
only Hope remaining at the bottom.
Deucalion was the son of Prometheus and Pyrrha, his niece. They
married. In their time a flood occurred, which as they imagined
destroyed the whole human race; they were the only survivors. By the
direction of an oracle they cast stones over their shoulders; when, by
the divine interposition, the stones cast by Deucalion became men, and
those cast by Pyrrha women. Thus the earth was re-peopled.
I have put down a few of these particulars, as containing in several
instances the qualities of what is called magic, and thus furnishing
examples of some of the earliest occasions upon which supernatural
powers have been alleged to mix with human affairs.
DEMIGODS.
Public-domain text, read in full here on John Shaqi.
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