the owl; in the winter evenings of which I write, the shrill cry of the
marsh bird, and above all, the long wail of the west wind coming from
the sea.
Upon the round table, covered with a gayly flowered cloth, which I have
known all my life, my mother and aunt Clara placed their workbaskets,
containing articles that I would fain designate “fondamentales,” if I
dared employ that word which, in the present instance, will signify
nothing save to myself; those trifles, now sacred relics, which hold
in my eyes, in my memory, in my life, a supreme importance: embroidery
scissors, heirlooms in the family, lent me rarely when a child, with
manifold charges to carefulness, that I might amuse myself with paper
cutting; winders for thread, in rare colonial woods, brought long years
ago from over the oceans by sailors, and giving material for deep
reveries; needlecases, thimbles, spectacles, and pocketbooks. How well
I know and love every one of them, the trifles so precious, spread
out every evening for so many years on the gay old tablecloth, by the
hands of my mother and Aunt Clara; after each distant voyage with what
tenderness I see them again and bid them my good-day of return! In
writing of them I have used the word “fondamentale,” so inappropriate I
confess, but can only explain it thus: if they were destroyed, if they
ceased to appear in their unchanged positions, I should feel as if I
had taken a long step nearer the annihilation of my being, towards dust
and oblivion.
And when they shall be gone, my mother and Aunt Clara, it seems to me
that these precious little objects, religiously treasured after their
departure, will recall their presence, will perhaps prolong their stay
in our midst.
The cats, naturally, remained usually in our common room,--sleeping
together, a warm, soft ball, upon some taboret or cushioned chair, the
nearest to the fire. And their sudden awakenings, their musings, their
droll ways, cheered our somewhat monotonous evenings.
Public-domain text, read in full here on John Shaqi.
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