known furniture of this hereditary dwelling immovably fixed there,
while my unquiet, restless, changing being had roamed over a changing
world.
And this is the persistent, distinct image of our Pussy White, with me
still, long after her death: an embodied frolic in fur, snowy white and
bounding or rolling on the crimson rug between the sombre black robes
of my mother and aunt Clara, in the evening of one of my great returns.
[Illustration: “ROLLING ON THE CRIMSON RUG”]
Poor Pussy! During the first winter of her life she was usually the
familiar demon, the hearthstone imp, who enlivened the loneliness of
the blessed guardians of my home, my mother and aunt Clara. While I
sailed over distant seas, when the house resumed its grand emptiness,
in sombre twilights and interminable December nights, she was their
constant attendant, though often their tormentor; leaving upon their
immaculate black gowns, precisely alike, tufts of her white fur. With
reckless indiscretion she took forcible possession of a place on their
laps, their work table, or in the centre of their workbaskets,
tangling beyond rearrangement their skeins of wool, their reels of
silk. Then they would say with great pretense of anger, meanwhile
longing to laugh, “Oh! that cat, that bad cat, she will never learn how
to behave herself! Get out, miss! Get out! Were there ever such actions
as these!” They busied themselves inventing methods for her amusement,
even to keeping a jumping-jack, a ludicrous wooden toy, for her special
edification.
She loved them cattishly, with indocility, but added thereto a touching
constancy, for which alone her little incomplete and fantastic
existence merits my lasting remembrance.
In springtime, when the March sun began to brighten our courtyard, she
experienced new and endless surprises in seeing, awake and crawling
from his winter retreat, our tortoise Suleïma, her fellow resident and
friend.
During the beautiful month of May she seemed seized by yearnings for
space and freedom; then she made excursions on the walls, the roof,
through the lanes, in the neighboring gardens, and even nocturnal
absences, which I should here state were unaccountable in the austere
circle where fate had placed her.
In summer she was languid as a creole. For entire days she lay lazily
in the sunshine on the old wall top among the honeysuckles and roses,
or, extended on the tiled walks, turned her white belly to the sun
amidst the pots of red or golden cacti.
Public-domain text, read in full here on John Shaqi.
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