Living Bayonets: A Record of the Last PushDawson, Coningsby
History
Living Bayonets: A Record of the Last Push
Dawson, Coningsby
World War, 1914-1918 -- Personal narratives, English
It’s early morning. I’m still sitting in the little dug-out with the slit that
looks towards the Hun Front line. Everything but the immediate foreground is
blanketed in heavy mist at present. I can hear bombing going on somewhere—but
I can also hear a lark singing near to the sun, high overhead. The clumps of
dandelions are still sleeping. They haven’t opened—they’re green instead of
yellow. The grass sparkles with little drops of dew, more beautiful than the
most costly diamonds. With the first of the dawn I read a story by Tolstoy;
since then I’ve been sitting thinking—thinking of you and of the sleeping
house in Newark, which will soon be disturbed by your bath-water running, if
you still rise early; and thinking how strange it is that I should be here in
the greatest war in history. We planned to do such different things with our
lives. My first dream was to become extremely wise. At Oxford there seemed no
limit to the amount of knowledge I could acquire; it seemed only a matter of
patience and perseverance. Then that dream went, and I wanted to save the
world. I’m afraid one has to be a little aristocratic towards the world before
he can conceive of himself as capable of saving it or of the world as
requiring saving. The aristocratic touch grew on me and I decided to do my
saving not by touching people, but by writing poetry for the few who would
understand. It wasn’t half such good poetry as I thought it was at the time,
and it never could have re-made anything. Disappointed in that and because I
had now committed myself to a literary way of life, I took to writing novels,
which nobody wanted to publish, read, or buy. Then, because I had to live
somehow, I entered into the commercial end of publishing. There was always the
shadow of a dream which I pursued even then in my spare hours; it was the
dream that saved me and led me on to write The Garden Without Walls. But the
shadow was growing fainter when this war commenced. And here I am, human at
last, all touch of false aristocracy gone, peeping out across the grass wet
with the dew of May, beneath which lie the common clay heroes who have died
for democracy. How noiselessly these men gave up their lives and with how
little consciousness of self-appreciation. They rather put us to shame—we
privileged dawdlers in our haunted minds. They recognized the one straight
thing to do when the opportunity presented itself; they did it swiftly and
unreasoningly with their might. They didn’t write about what they did; for
them the doing was sufficient. I think I shall always be a humble man after
such companionship, if I survive. I see life in courageous vistas of actions
now; formerly I was like Hamlet—I thought myself into a green sickness.
Marriage and children, a home and family love are the best that anyone can
extract from life. There have been years when I didn’t like my kind.
Public-domain text, read in full here on John Shaqi.
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