Living Bayonets: A Record of the Last PushDawson, Coningsby
History
Living Bayonets: A Record of the Last Push
Dawson, Coningsby
World War, 1914-1918 -- Personal narratives, English
I came down this morning from doing forward work; it had been raining in
torrents and the trenches were awash. I sleep to-night at the battery and
to-morrow I go forward again. It’s really great fun forward when it’s fine.
All day you watch the Hun country for signs of movement and snipe his
support-trenches and back-country. Far away on the horizon you watch plumes of
smoke trail from the chimneys of his towns, and try to guess his intentions
and plans. War’s the greatest game of the intellect yet invented; very little
of its success to-day is due to brute strength.
It’s night now. I’m sitting in my shirt-sleeves, writing by the light of a
candle in an empty bottle. A row is going on outside as of “armed men falling
downstairs,” to borrow Stevenson’s phrase. It’s really more like a dozen
celestial cats with kettles tied to their tails. I wonder what God thinks of
it all; of all the kings, He alone is silent and takes no sides,
notwithstanding the Kaiser’s “Me und Gott.”
My jolly little major has just looked up to suggest that the war won’t be
ended until all the world is under arms. He’s an optimist.
LXII
France July 18, 1918
I’m up forward, sitting on a bank, looking at the Hun country through a hedge.
I know you’d give anything to be with me. In front there’s a big curtain of
sea-grey sky, against which planes crawl like flies. A beautiful half-moon
looks down at me with the tragic face of Harlequin. Far away across a plain
furrowed by shell-fire the spires and domes of cities in the captured
territory shine. Like all forbidden lands, there are times when the Hun
country looks exquisitely and unreally beautiful, as though it were tempting
us to cross the line.
I’ve just left off to watch a squadron of enemy planes which have been
attempting to get across to our side. Everything has opened up on them;
machine guns are spouting their luminous trails of tracer bullets; archies are
bursting little cotton-wool clouds of death between them and their desire.
They evidently belong to a circus, for they’re slipping and tumbling and
looping like great gulls to whom the air is native. Ah, now they’ve given it
up and are going home thwarted. I wonder what the poor old moon thinks of all
these antics and turmoils in the domain which has been hers absolutely for so
many æons of nights.
The horrible and the beautiful blending in an ecstasy, that is what war is
to-day. All one’s senses are unnaturally sharpened for the appreciation of
both happiness and pain. You walk down a road where a shell fell a minute ago;
the question always in your mind is, “Why wasn’t I there?” You shrug your
shoulders and smile, “I may be there next time”—and bend all your energies
towards being merry to-day. The threat of the end is very provocative of
intensity.
Public-domain text, read in full here on John Shaqi.
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