"I should say not," said her sister, emphatically. "If ever there was an
ignoramus, you are one, my dear. But then, I did not know any more than
you when I was married, and behold me now! And I'll make you into an
expert, too, before this year of servitude is over, or I'm no prophet.
And as we had better lose no time over it, we will begin the lessons
this very minute. Come out in the kitchen and take a careful view of its
contents. I'm proud of my kitchen!"
Dolly did not wonder, when she looked around the room and noticed what
her sister pointed out. It was small, but very attractive. The walls
were painted cream color and the floor was covered with a blue and white
oilcloth. The woodwork was the exact color of the walls. Around the
room, six feet from the floor, ran a shelf set out with nests of blue
and white bowls and cheap but effective plates and cups and saucers to
match, all meant to use in cooking. Under the edge of the shelf, over
the table, hooks were driven, and from these hung spoons and egg-beaters
and the little things needed in stirring up dishes. The table itself was
covered with blue and white enamel cloth. The sink was painted white,
and the dish-towels were of crash marked off in blue squares.
The open cupboard door showed shiny tins and blue and white saucepans,
and some delightful contrivances in the way of cream-whippers and
mayonnaise-droppers and moulds. Everything was not only spotless but
charmingly pretty to look at.
"Do you remember a book we had when we were small, called 'We Girls,' I
think it was, in which the family decided to let their maid go and do
their own work? They had a basement kitchen and an up-stairs
dining-room, and the problem was how to manage. They solved it by doing
the work up-stairs in the dining-room, behind a screen. The
cooking-stove was brilliant and ornamental with polish. The carpeted
floor--carpeted, mind you--never had a speck of flour or grease on it.
The cooking was done as if by magic, and they called their workroom a
'ladies' kitchen.' That story made an undying impression on me when I
was sixteen. I thought if Fate would only grant me the boon of doing my
own work in a palatial kitchen like that, I should have no further
requests to make. And I've never forgotten the idea behind the story.
My kitchen simply must be an attractive room, bright and cheerful, with
the 'rocking-chair and the white curtain and red geranium in the
window,' which newspaper articles tell us nowadays are essential to make
a maid contented; you know the kind of thing I mean! Well, since I mean
to be a maid a good deal of my life, my kitchen too must be charmingly
pretty. And I have not spared expense to make it so, either, for I
regard all my blue bowls and labor-saving utensils as investments; they
make my work easier, and that is everything when one has other things in
the world to do besides cook."
Public-domain text, read in full here on John Shaqi.
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