Liza of LambethMaugham, W. Somerset (William Somerset)
General
Liza of Lambeth
Maugham, W. Somerset (William Somerset)
Working class -- England -- Fiction
'I do like thet Jim Blakeston,' she said to herself; 'fancy treatin'
me like thet! You wouldn't catch Tom doin' sich a thing. Bli'me if I
speak to 'im again, the ----. Now I shan't see it at all. I've a good
mind ter go on my own 'ook. Fancy 'is forgettin' all abaht it, like
thet!'
She was really quite indignant; though, as she had distinctly refused
Jim's offer, it was rather hard to see why.
''E said 'e'd wite for me ahtside the doors; I wonder if 'e's there.
I'll go an' see if 'e is, see if I don't--an' then if 'e's there, I'll
go in on my own 'ook, jist ter spite 'im!'
She dressed herself in her best, and, so that the neighbours shouldn't
see her, went up a passage between some model lodging-house buildings,
and in this roundabout way got into the Westminster Bridge Road, and
soon found herself in front of the theatre.
'I've been witin' for yer this 'alf-hour.'
She turned round and saw Jim standing just behind her.
''Oo are you talkin' to? I'm not goin' to the ply with you. Wot d'yer
tike me for, eh?'
''Oo are yer goin' with, then?'
'I'm goin' alone.'
'Garn! don't be a bloomin' jackass!'
Liza was feeling very injured.
'Thet's 'ow you treat me! I shall go 'ome. Why didn't you come aht the
other night?'
'Yer told me not ter.'
She snorted at the ridiculous ineptitude of the reply.
'Why didn't you say nothin' abaht it yesterday?'
'Why, I thought you'd come if I didn't talk on it.'
'Well, I think you're a ---- brute!' She felt very much inclined to
cry.
'Come on, Liza, don't tike on; I didn't mean no offence.' And he put
his arm round her waist and led her to take their places at the
gallery door. Two tears escaped from the corners of her eyes and ran
down her nose, but she felt very relieved and happy, and let him lead
her where he would.
There was a long string of people waiting at the door, and Liza was
delighted to see a couple of niggers who were helping them to while
away the time of waiting. The niggers sang and danced, and made faces,
while the people looked on with appreciative gravity, like royalty
listening to de Reske, and they were very generous of applause and
halfpence at the end of the performance. Then, when the niggers moved
to the pit doors, paper boys came along offering _Tit-Bits_ and 'extra
specials'; after that three little girls came round and sang
sentimental songs and collected more halfpence. At last a movement ran
through the serpent-like string of people, sounds were heard behind
the door, everyone closed up, the men told the women to keep close and
hold tight; there was a great unbarring and unbolting, the doors were
thrown open, and, like a bursting river, the people surged in.
Public-domain text, read in full here on John Shaqi.
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