When the time came for teaching him languages and music, Glafira Petrovna hired an old maid for a mere trifle, a Swede, whose eyes looked sideways, like a hare's, who spoke French and German more or less badly, played the piano so so, and pickled cucumbers to perfection. In the company of this governess, of his aunt, and of an old servant maid called Vasilievna, Fedia passed four whole years. Sometimes he would sit in a corner with his "Emblems"--there he would sit and sit. A scent of geraniums filled the low room, one tallow candle burnt dimly, the cricket chirped monotonously as if it were bored, the little clock ticked busily on the wall, a mouse scratched stealthily and gnawed behind the tapestry; and the three old maids, like the three Fates, knitted away silently and swiftly, the shadows of their hands now scampering along, now mysteriously quivering in the dusk; and strange, no less dusky, thoughts were being born in the child's mind. No one would have called Fedia an interesting child. He was rather pale, but stout, badly built, and awkward--a regular moujik, to use the expression employed by Glafira Petrovna. The pallor would soon have vanished from his face if they had let him go out more into the fresh air. He learnt his lessons pretty well, though he was often idle. He never cried, but he sometimes evinced a savage obstinacy. At those times no one could do any thing with him. Fedia did not love a single one of the persons by whom he was surrounded. Alas for that heart which has not loved in youth! Such did Ivan Petrovich find him when he returned; and, without losing time he at once began to apply his system to him.