Before he was seventeen Lloyd George had already dived deep into
controversy. His school of debating consisted of the cobbler's
workshop and the village smithy at Llanystumdwy, where in the evenings
young men and old men and a sprinkling of boys used to assemble to
discuss in a haphazard way questions of ethics, the politics of the
day, and most of all the rights and wrongs of the religious sects to
which they respectively belonged. Richard Lloyd, on the one hand, and
the old blacksmith, on the other, would stir the discussion now and
again with a sagacious word. It is easy to imagine the ripple of
musical Welsh which sometimes drowned the tap-tap of the cobbler's
hammer, or was submerged beneath the clang of the anvil. The bright
eyes and excited faces of these Celts partly illumined by the oil-lamp
or by the sudden glow of the blacksmith's furnace must have provided
pictures worth record for themselves, quite apart from the personal
interest they would now possess.
In the midst of the discussions young David would plunge with a wit and
understanding beyond his years, and he stood up to his seniors with
both gravity and audacity. "Do you know," said the gray-haired
blacksmith to Richard Lloyd one day, "I really had to turn my serious
attention to David last evening or he would have got the best of me."
If any of those who read this narrative are beginning to have an idea
that this fourteen-year-old boy was by way of becoming a prig they may
be relieved by the knowledge that when the youngster was not taking a
hand in polemics in the smithy or the cobbler's cottage he was often
enough leading the boys of the village into some kind of mischief. One
old inhabitant came to have the fixed belief that David was the origin
of pretty well all the mishaps in Llanystumdwy. Let a gate be found
lifted from its hinges, a fence or hedge broken down, or windows
smashed, and the old man had the one explanation, "It's that David
Lloyd at it again."
Public-domain text, read in full here on John Shaqi.
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