My first acquaintance with the Neversink was made in company with some
friends in 1869. We passed up the valley of the Big Ingin, marveling at
its copious ice-cold springs, and its immense sweep of heavy-timbered
mountain-sides. Crossing the range at its head, we struck the Neversink
quite unexpectedly about the middle of the afternoon, at a point where
it was a good-sized trout stream. It proved to be one of those black
mountain brooks born of innumerable ice-cold springs, nourished in the
shade, and shod, as it were, with thick-matted moss, that every
camper-out remembers. The fish are as black as the stream and very
wild. They dart from beneath the fringed rocks, or dive with the hook
into the dusky depths,—an integral part of the silence and the shadows.
The spell of the moss is over all. The fisherman’s tread is noiseless,
as he leaps from stone to stone and from ledge to ledge along the bed
of the stream. How cool it is! He looks up the dark, silent defile,
hears the solitary voice of the water, sees the decayed trunks of
fallen trees bridging the stream, and all he has dreamed, when a boy,
of the haunts of beasts of prey—the crouching feline tribes, especially
if it be near nightfall and the gloom already deepening in the
woods—comes freshly to mind, and he presses on, wary and alert, and
speaking to his companions in low tones.
After an hour or so the trout became less abundant, and with nearly a
hundred of the black sprites in our baskets we turned back. Here and
there I saw the abandoned nests of the pigeons, sometimes half a dozen
in one tree. In a yellow birch which the floods had uprooted, a number
of nests were still in place, little shelves or platforms of twigs
loosely arranged, and affording little or no protection to the eggs or
the young birds against inclement weather.
Public-domain text, read in full here on John Shaqi.
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