Women -- Social conditions -- 19th century -- Fiction
For one instant, vanity awoke in her young heart; and she tripped back
to her home with a smile of triumph on her lips. The feeling was
short-lived. She entered her father's library; and his image appeared to
rise before her, to regulate and purify her thoughts. If he had been
there, what could she have said to him--she who never concealed a
thought?--or how would he have received the information she had to give?
What had happened, had not been the work of a day; Whitelock had for a
week or two proceeded in an occult and mysterious manner: but this day
he had withdrawn the veil; and she understood much that had appeared
strange in him before. The dark, expressive eyes of her father she
fancied to be before her, penetrating the depths of her soul,
discovering her frivolity, and censuring her lowly vanity; and, even
though alone, she felt abashed. Our faults are apt to assume giant and
exaggerated forms to our eyes in youth, and Ethel felt degraded and
humiliated; and remorse sprung up in her gentle heart, substituting
itself for the former pleasurable emotion.
The young are always in extremes. Ethel put away her drawings and
paintings. She secluded herself in her home; and arranged so well, that
notwithstanding the freedom of American manners, Whitelock contrived to
catch but a distant glimpse of her during the one other week that
intervened before her father's return. Troubled at this behaviour, he
felt his bravery ooze out. To have offended Fitzhenry, was an unwise
proceeding, at best; but when he remembered the haughty and reserved
demeanour of the man, he recoiled, trembling, from the prospect of
encountering him.
Public-domain text, read in full here on John Shaqi.
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