Cornelia Santerre was lovely, vivacious, witty, and good-humoured; yet strange to say, her new lover was not rendered happy so much by the presence of these qualities, as by the promise which they gave for the future. He loved her; he believed that she would be to the end of his life a blessing and a delight; yet passion was scarcely roused in his heart; it was "a sober certainty of waking bliss," and a reasonable belief in the continuance of this state, that made him, while he loved her, regard her rather as a benefactress than a mistress. Benefactress is a strange word to use, especially as her extreme youth was probably the cause that more intimate sympathies did not unite them, and why passion entered so slightly into their intercourse. It is possible, so great was the discrepancy of their age, and consequently of their feelings and views of life, that Lodore would never have thought of marrying Cornelia, but that Lady Santerre was at hand to direct the machinery of the drama. She inspired him with the wish to gift her angelic child with the worldly advantages which his wife must possess; to play a god-like part, and to lift into prosperity and happiness, one who seemed destined by fortune to struggle with adversity. Lady Santerre was a worldly woman and an oily flatterer; Lodore had been accustomed to feminine controul, and he yielded with docility to her silken fetters. The ninth of October was Cornelia's sixteenth birthday, and on it she became the wife of Lord Lodore. This event took place in the parish church of Rhyaider Gowy, and it was communicated to "the world" in the newspapers. Many discussions then arose as to who Miss Santerre could be. "The only daughter of the late Sir John." The only late Sir John Santerre remembered, was, in fact, the grandfather of the bride, and the hiatus in her genealogy, caused by her father's death before he had been known as a baronet, puzzled every fashionable gossip. The whole affair, however, had been forgotten, when curiosity was again awakened in the ensuing month of March, by an announcement in the Morning Post, of the arrival of the noble pair at Mivart's. Lord Lodore had always rented a box at the King's Theatre. It had been newly decorated at the beginning of the season, and on the first Saturday in April all eyes turned towards it as he entered, having the loveliest, fairest, and most sylph-like girl, that ever trod dark earth, leaning on his arm. There was a child-like innocence, a fascinating simplicity, joined to an expression of vivacity and happiness, in Lady Lodore's countenance, which impressed at first sight, as being the completion of feminine beauty. She looked as if no time could touch, no ill stain her; artless affection and amiable dependence spoke in each graceful gesture. Others might be beautiful, but there was that in her, which seemed allied to celestial loveliness.