Women -- Social conditions -- 19th century -- Fiction
Lady Lodore and Villiers met for the first time since Horatio Saville's
marriage. Neither were exactly aware of what the other knew or thought.
Cornelia was ignorant how far her attachment to his cousin was known to
him; whether he shared the general belief in her worldly coquetry, or
what part he might have had in occasioning their unhappy separation. She
could not indeed see him without emotion. He had been Lodore's second,
and received the last dying breath of him who had, in her brightest
youth, selected her from the world, to share his fortunes. Those days
were long past; yet as she grew older, disappointed, and devoid of
pleasurable interest in the present, she often turned her thoughts
backward, and wondered at the part she had acted.
Similar feelings were in Edward's mind. He was prejudiced against her in
every way. He despised her worldly calculations, as reported to him, and
rejoiced in their failure. He believed these reports, and despised her;
yet he could not see her without being moved at once with admiration and
pity. The moon-lit hill, and tragic scene, in which he had played his
part, came vividly before his eyes. He had been struck by the nobleness
of Lodore's appearance--the sensibility that sat on his countenance--his
gentle, yet dignified manners. Ethel's idolatry of her father had
confirmed the favourable prepossession. He could not help
compassionating Cornelia for the loss of her husband, forgetting, for
the moment, their separation. Then again recurred to him the eloquent
appeals of Saville; his eulogiums; his fervent, reverential affection.
She had lost him also. Could she hold up her head after such miserable
events? The evidence of the senses, and the ideas of our own minds, are
more forcibly present, than any notion we can form of the feelings of
others. In spite, therefore, of his belief in her heartlessness,
Villiers had pictured Cornelia attired in dismal weeds, the victim of
grief. He saw her, beaming in beauty, at the opera;--he now beheld her,
radiant in sweet smiles, in her own home. Nothing touched--nothing
harmed her; and the glossy surface, he doubted not, imaged well the
insensible, unimpressive soul within.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account