Women -- Social conditions -- 19th century -- Fiction
It was not until she had exhausted herself by these gloomy and restless
reflections, that she laid her head upon her pillow, and tried to sleep.
Morning usually dawned before she closed her eyes; and it was nearly
noon before she rose, weary and unrefreshed. It was with a struggle that
she commenced a new day--a day that was to be cheered by no event nor
feeling capable of animating her to any sense of joy. She had never
occupied herself by intellectual exertion: her employments had been the
cultivation of what are called accomplishments merely; and when now she
reverted to these, it was with bitterness. She remembered the interval
when she had been inspirited by the delightful wish to please Horatio.
Now none cared how the forlorn Cornelia passed her time;--no one would
hang enraptured on her voice, or hail with gladness the developement of
some new talent. "It is the same," she thought, "how I get rid of the
heavy hours, so that they go. I have but to give myself up to the
sluggish stream that bears me on to old age, not more bereft or
unregarded than these wretched years."
Thus she lingered idly through the morning; her only enjoyment being,
when she secured to herself a solitary drive, and reclining back in her
carriage, felt herself safe from every intrusion, and yet enjoying a
succession of objects, that a little varied the tenor of her thoughts.
She had deserted the park, and sought unfrequented drives in the
environs of London. Evening at last came, and with it her uninteresting
engagements, which yet she found better than entire seclusion. Forced to
rouse herself to adopt, as a mask, the smiling appearance which had been
natural to her for many years, she often abhorred every one around her;
and yet, hating herself more, took refuge among them, from her own
society. Her chief care was to repress any manifestation of her despair,
which too readily rose to her lips or in her eyes. The glorious hues of
sunset--the subduing sounds of music--even the sight of a beautiful
girl, resplendent with happiness and youth, moving gracefully in
dance--had power to move her to tears: her blood seemed to curdle and
grow thick, while gloomy shadows mantled over her features. Often, she
could scarcely forbear expressing the bitterness of her feelings, and
indulging in acrimonious remarks on the deceits of life, and the inanity
of all things. It seemed to her, sometimes, that she must die if she did
not give vent to the still increasing horror with which she regarded the
whole system of the world.
Nor were her sufferings always thus negative. One evening, especially, a
young travelled gentleman approached her, with all the satisfaction
painted on his countenance, which he felt at having secured a topic for
the entertainment of the fashionable Lady Lodore.
Public-domain text, read in full here on John Shaqi.
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