What then is it that is called myth? It is certainly not a simple poetic and artistic fancy. The myth contains an affirmation or logical judgment, and precisely for this reason may be considered a hybrid affirmation, half fanciful and erroneous. If it has been confused with art, it is not so much a false doctrine of the myth that should be blamed, as a false æsthetic doctrine, which we have already refuted, and which fails to recognize the original and ingenuous character of art. On the other hand, the logical affirmation does not stand to the myth as something extrinsic, as in the case of a fable or image put forward to express a given concept, where the difference of the two terms and the arbitrariness of the relation between them declares itself more or less openly. In this case there is not myth, but _allegory._ In myth, on the contrary, the concept is not separated from the representation, indeed it is throughout penetrated by it. Yet the compenetration is not effected in a logical manner, as in the singular judgment and in the _a priori_ synthesis. The compenetration is obtained capriciously, yet it gives itself out as necessary and logical. For instance, it is desired to explain how sky and earth were formed, how sea and rivers, plants and animals, men and language arose; and behold, we are given as explanations, the stories of the marriage of Uranus and Gæa, and the birth of Chronos and of the other Titans; or the story of a God Creator, who successively drew all things out of chaos in seven days, and made man of clay and taught him the names of things. It is desired to explain the origin of human civilization, and the tale is told of Prometheus, who steals fire and instructs men in the arts; or of Adam and Eve, who eat the forbidden fruit, and driven from the earthly Paradise are forced to till the ground and bathe it with their sweat. It is desired to explain the astronomical phenomena of dawn or of winter, and the story is told of Phœbus, who pursues Daphne, or of the same god who slays one after the other the sons of Niobe. These naturalistic interpretations may pass as examples, however contested and antiquated they may be. In place of the concepts which should illuminate single facts, we are given representations. Hence are derived what we have called false predicates. Philosophy becomes a little anecdote, a novelette, a story; history too becomes a story and ceases to be history, because it lacks the logical element necessary for its constitution. The true philosophic doctrine in the preceding cases, for example, will be that of an immanent spirit, of which stars and sky, earth and sea, plants and animals, constitute the contingent manifestations; the doctrine which looks upon the consciousness of good and evil and the necessity for work, not as the result of a theft made from the gods or of a violation of one of their commands, but as eternal categories of reality; and which regards language, not as