Lola Montez : $b An adventuress of the 'forties — John Shaqi
Lola Montez : $b An adventuress of the 'fortiesD'Auvergne, Edmund B. (Edmund Basil)
History
Lola Montez : $b An adventuress of the 'forties
D'Auvergne, Edmund B. (Edmund Basil)
Montez, Lola, 1818-1861
Produced by The Online Distributed Proofreading Team at
https://www.pgdp.net (This file was produced from images
generously made available by The Internet Archive.)
LOLA MONTEZ
UNIFORM LIBRARY EDITION OF THE WORKS OF GUY DE MAUPASSANT, newly
translated into English by Marjorie Laurie.
Volume 1. BEL-AMI.
"Bel-Ami" is an extraordinarily fine full-length portrait of an
unscrupulous rascal who exploits his success with women for the
furtherance of his ambitions. The book simmers with humorous
observations, and, as a satire on politics and journalism, is no less
biting because it is not bitter.
Volume 2. A LIFE.
This story of a woman's life, harrowed first by the faithlessness of
her husband and later by the worthlessness of her son, has been
described as one of the saddest books that has ever been written; it
is remorseless in its utter truthfulness.
Volume 3. "BOULE DE SUIF" and other Short Stories.
A story of the part played by a little French prostitute in an
incident of the war of 1870. It was published in a collection of tales
by distinguished French writers of the day, and was so clearly the gem
of the collection that it established the Author at once as a master.
Volume 4. THE HOUSE OF TELLIER.
[Illustration: LOLA MONTEZ. Countess of Landsfeld]
LOLA MONTEZ
AN ADVENTURESS OF THE 'FORTIES
BY EDMUND B. D'AUVERGNE
ILLUSTRATED
LONDON
T. WERNER LAURIE, LTD.
30 NEW BRIDGE STREET, E.C.4
_First Printed April 1909
Second Edition, December 1909
Third Impression, November 1924
Fourth Impression, February 1925_
_Printed in Great Britain by
Fox, Jones & Co., at the Kemp Hall Press, Oxford, England_
PREFACE
The story of a brave and beautiful woman, whose fame filled Europe and
America within the memory of our parents, seems to be worth telling. The
human note in history is never more thrilling than when it is struck in
the key of love. In what were perhaps more virile ages, the great ones of
the earth frankly acknowledged the irresistible power of passion and the
supreme desirability of beauty. Their followers thought none the less of
them for being sons of Adam. Lola Montez was the last of that long and
illustrious line of women, reaching back beyond Cleopatra and Aspasia,
before whom kings bent in homage, and by whose personality they openly
confess themselves to be swayed. Since her time man has thrown off the
spell of woman's beauty, and seems to dread still more the competition of
her intellect.
Public-domain text, read in full here on John Shaqi.
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