"It is a melancholy country for wives at the best, and I strongly advise you never to let young girls marry an East Indian. There was a pretty Mrs. ---- dining here yesterday, quite a child in looks, who married just before the _Repulse_ sailed, and landed here about ten days ago. She goes on next week to Neemuch, a place at the farthest extremity of India, where there is not another European woman, and great part of the road to it is through jungle, which is only passable occasionally from its unwholesomeness. She detests what she has seen of India, and evidently begins to think 'papa and mamma' were right in withholding for a year their consent to her marriage. I think she wishes they had held out another month. There is another, Mrs. ----, who is only _fifteen_, who married when we were at the Cape, ... and went straight on to her husband's station, where for five months she had never seen a European. He was out surveying all day, and they lived in a tent. She has utterly lost her health and spirits, and though they have come down here for three weeks' furlough, she has never been able even to call here [at Government House]. He came to make her excuse, and said, with a deep sigh: 'Poor girl! she must go back to her solitude. She hoped she could have gone out a little in Calcutta, to give her something to think of.' And then, if these poor women have children, they must send them away just as they become amusing. It is an abominable place." This was not realised at once by Mrs. James, whose first season (she tells us) was passed "in the gay and fashionable city of Calcutta." There she became an acknowledged beauty. Not long after the outbreak of the first Afghan War she was torn away from the comparative brilliance of the capital, and accompanied her husband most reluctantly, to Karnal, a town between Delhi and Simla, on the Jumna Canal. The place is no longer a military station. At this juncture, happily for us, a flood of light is poured upon Lola's character and history by the letters of Miss Eden, dated from Simla and Karnal in the latter part of the year 1839. I include some extracts not directly relating to Lola, as they describe scenes in which she must have taken part, and which formed the background against which she moved. "_Sunday, 8th September_ [1839].