Lola Montez : $b An adventuress of the 'fortiesD'Auvergne, Edmund B. (Edmund Basil)
History
Lola Montez : $b An adventuress of the 'forties
D'Auvergne, Edmund B. (Edmund Basil)
Montez, Lola, 1818-1861
In Brussels she found herself friendless and penniless. She was reduced to
singing in the streets to save herself from starvation--she who only four
years before had been borne from the stately Indian Court enthroned on
the Viceroy's elephant! Her distress is rather to the credit of her
reputation, for it would have been easy enough for so beautiful a woman to
have found a wealthy protector in the Belgian capital. She was noticed by
a man, whom she believed to be a German, who took her with him to Warsaw.
"He spoke many languages," says Lola, "but he was not very well off
himself. However, he was very kind, and when we got to Warsaw, managed to
get me an engagement at the Opera."[6] I cannot help wishing that Lola had
given us some account of a journey that must have been performed in a
carriage right across Central Europe from Belgium to Poland.
Warsaw in 1844 must have been as cheerless a spot as any in Europe. The
great insurrection of 1831 had been suppressed with ruthless severity by
the soldiers of the Tsar, and there was not a family of rank in the city
that was not mourning for some one of its members who had passed beyond
the ken of its living, into dread Siberia. Order reigned at Warsaw,
indeed, in its conqueror's famous phrase, but it was order obtained only
with the knout and the bayonet. The Polish language was barely tolerated,
the Catholic religion proscribed. Women, half-naked, were publicly flogged
for their attachment to their faith, school-boys and school-girls sent to
perish beyond the Urals. The secret service ramified through every grade
of society. Fathers distrusted their sons, husbands feared to discover in
their own wives the tools of the Muscovite Government. To this day Poles
are seldom free from the nightmare of the Russian spy. The present writer
remembers how, some years ago, at Bern, in the capital of a free
republic, a Polish medical man refused, with every symptom of
apprehension, to discuss the condition of his country within the longest
ear-shot of a third party.
Yet unhappy Warsaw, under the heel of the terrible Paskievich, could be
coaxed into a smile by the flashing eyes of the new Andalusian dancer. Her
beauty enraptured the Poles, and drew from one of their dramatic critics
the following elaborate panegyric:--
Public-domain text, read in full here on John Shaqi.
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