Lola, we see, speaks as an authority on crowned heads. In her estimate of Nicholas I. she seems to have forgotten the republican principles she generally professed. The Tsar was, no doubt, the most commanding figure of his time, and Russia's influence in the counsels of Europe has never since had as much weight as in the earlier part of his reign. His fine proportions, as much as his strength of character, probably excited Lola's admiration, and blinded her to defects, physical and temperamental, which did not escape the notice of more keen-eyed critics. She did not see that the autocrat's majestic demeanour was a pose, that his stern, hawk-like glance was deliberately cultivated, and that he had only three expressions of countenance, all put on at will. Horace Vernet, who knew Nicholas well, was firmly convinced that he was not wholly sane. As to his amiability in private life, he is said to have been, like many tyrants, a good husband, and he often condescended to take tea with his nurse, "a decent Scotch body." It was to this respectable exile that the members of the imperial family owed that fluent and colloquial English, which often as much astonished as gratified our countrymen. It is recorded that one of the Grand Dukes genially accosted the British chaplain at St. Petersburg with the enquiry: "God damn your eyes, and how the devil are you?"--language, very properly remarks an Early Victorian writer, which no man on earth had the right to address to a person in Holy Orders. [Illustration: NICHOLAS I.] The Tsar himself was better bred. His relations with Mademoiselle Montez were characterized by politeness and liberality. Not only he, but his right-hand man, the astute Livonian, Benkendorf, held the lady's political acumen in high esteem. While she and the Emperor and the Minister of the Interior were in a somewhat private chat about vexatious matters connected with Caucasia, airily relates Lola, a humorous episode occurred.