Lola Montez : $b An adventuress of the 'fortiesD'Auvergne, Edmund B. (Edmund Basil)
History
Lola Montez : $b An adventuress of the 'forties
D'Auvergne, Edmund B. (Edmund Basil)
Montez, Lola, 1818-1861
The Jesuits' agents in different capitals reported unfavourably on the
dancer. They professed to believe, as we have seen--perhaps, they did
believe--that she was an emissary of the Freemasons, a body which in
England is regarded as a gigantic goose club, but by the Catholic world as
the most dangerous of secret anti-clerical societies. Now from what Frau
von Kobell tells us, it is plain that the Jesuits looked on Lola as a foe
from the moment she set foot in Munich. We must seek for some antecedent
cause. The lady's own explanation is improbable, but worth repeating. She
alleges that while in Paris she was approached by the agents of the
Society, and invited to assist in the conversion of Count Medem, a Russian
nobleman. This proposal, possibly because of her inherited dislike of the
Roman Church, she declined; and communicated the matter to Monsieur
Guizot, then Prime Minister, who had long been puzzled by the
ever-increasing numbers in which the Russian nobility in Paris were going
over to Rome. Their conversion is attributed by Catholics to the apostolic
zeal of Madame Swetchine, a Russian lady of some literary attainments,
whose _salon_ was the rendezvous of the clerical party in Paris. Vandam's
informant (if he ever existed in the flesh) and one or two writers with an
Ultramontane bias suggest that the feud between Lola and the Jesuits arose
simply because it was impossible for the latter to give any countenance to
a King's mistress. But we know that they recognised her as their enemy
before she became the royal favourite; moreover, German writers say that
the clericals had never made any remonstrances or raised any difficulties
respecting her predecessors in His Majesty's affections. I see no reason
to doubt that Lola's anti-clerical or anti-Catholic sentiments were
genuine and frankly expressed; we find similar instances of the _odium
theologicum_ in Nell Gwynne and Louis de Keroual. Intercourse with Liszt
and Dujarier would have strengthened such a prejudice. In Lola's haughty
disregard, too, of the etiquette of courts and fearlessness in the
presence of the great, we may detect the temperament, which would find its
political expression in advanced Liberalism.
Public-domain text, read in full here on John Shaqi.
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