Lola Montez : $b An adventuress of the 'fortiesD'Auvergne, Edmund B. (Edmund Basil)
History
Lola Montez : $b An adventuress of the 'forties
D'Auvergne, Edmund B. (Edmund Basil)
Montez, Lola, 1818-1861
The rumour that she was an agent of "the English Freemasons," if by that
term we may understand the English Liberals, is not to be dismissed as
altogether preposterous. Our Government at that time was more or less
actively hostile to the ultra-legitimist and clerical tendencies paramount
in Central Europe: we backed the Swiss Confederation against the
Sonderbund; we sympathised with the Italians in their struggles for
freedom; English volunteers fought for the Liberal Christinos against the
Ultramontane Carlists. Lola's well-known sympathies, her knowledge of
continental courts, above all, her personality, would have recommended her
as a most valuable agent to our Foreign Office. We shall see presently
that she became the honoured guest of an English ambassador, and how legal
proceedings afterwards instituted against her in this country were
mysteriously suffered to collapse, as if in obedience to orders from
above. Lola never describes herself, it is true, as a secret agent of our
Government, but she would naturally have preferred to appear as the
independent, irresponsible dictatrix of a nation's policy.
Whatever the cause may have been, antagonism manifested itself between
Lola Montez and the King's advisers, official and clerical, within a very
few days of her arrival at his court. Louis is said to have introduced her
to his ministers as his best friend. The Jesuits immediately circulated
the report that she was his mistress, and endeavoured to inflame the
Bavarian people against her. In obedience to their principle of the Church
first and political consistency a long way after, they instigated a
general attack upon King and favourite through the clerical press of
Germany. It was truly remarked in one of the independent organs of opinion
that the most extreme radical could not have shown less regard for the
person of the sovereign than these champions of legitimacy. Caricature,
that pitiable prostitution of a divine art, was assiduously employed.
Louis was represented as a crowned satyr, a pug-dog, an ass with a crown
tied to his tail; Lola was treated with even less regard for decency. The
ape that lurks in every man gibbered in every clerical rag. The curious
may inspect some choice examples of this simian humour in Herr Fuchs's
interesting work.[13]
Public-domain text, read in full here on John Shaqi.
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