London (England) -- History; London (England) -- Social life and customs
"In Troy there lies the scene. From isles of Greece,
The princes orgulous, their high blood chaf'd,
Have to the port of Athens sent their ships."
[Illustration: INSIDE OF THE RED BULL PLAYHOUSE]
In this way the mind of the audience was prepared for what was to
follow. We needed no play-bill. The palace before us could be no other
than Priam's Palace. If there was a field with tents, it must be the
battle-field and the camp of the Greeks; if there was a wall, it must be
the wall of Troy. And though the scenery was rough, it was enough. One
wants no more than the unmistakable suggestion; the poet and the actor
find the rest. Therefore, though the intrusive gallants lay on the
stage; though Troilus was dressed in the armor of Tudor-time, and
Pandarus wore just such a doublet as old Stow himself, we were actually
at Troy. The boy who played Cressida was a lovely maiden. The narrow
stage was large enough for the Council of Kings, the wooing of lovers,
and the battle-field of heroes. Women unfaithful and perjured, lovers
trustful, warriors fierce, the alarms of war, fighting and slaying, the
sweet whispers of love drowned by the blare of trumpets; the loss of
lover forgotten in the loss of a great captain; and among the warriors
and the kings and the lovers, the creeping creatures who live upon the
weaknesses and the sins of their betters, played their parts upon these
narrow boards before a silent and enraptured house. For three hours we
were kept out of our senses. There was no need, I say, of better
scenery; a quick shifting of the canvas showed a battle-field and turned
the stage into a vast plain covered with armies of Greeks and Romans.
Soldiers innumerable, as thick as motes in the sun, crossed the stage
fighting, shouting, challenging each other. While they fought, the
trumpets blew and the drums beat, the wounded fell, and the fight
continued over these prostrate bodies till they were carried off by
their friends. The chiefs rushed to the front, crossed swords, and
rushed off again. "Come, both you cogging Greeks!" said Troilus, while
our cheeks flushed and our lips parted. If the stage had been four
times as broad, if the number of men in action had been multiplied by
ten, we could not have felt more vividly the rage, the joy, the madness
of the battle.
When the play was finished, the ale, the apples, and the nuts were
passed round, and the noise began again. Then the clown came in and
began to sing, and the music played--but oh, how poor it seemed after
the great emotions of the play! The old man plucked me by the sleeve,
and we went out, and with us most of the better sort.
Public-domain text, read in full here on John Shaqi.
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