London (England) -- History; London (England) -- Social life and customs
The picturesqueness of the time is greatly due to the dress. We all
know how effective on the stage or at a fancy ball is the dress of the
year 1750. Never had gallant youth a better chance of displaying his
manly charms. The flowered waistcoat tight to the figure, the white
satin coat, the gold-laced hat, the ruffles and dainty necktie, the
sword and the sword-sash, the powdered wig, the shaven face, the silk
stockings and gold-buckled shoes--with what an air the young coxcomb
advances, and with what a grace he handles his clouded cane and proffers
his snuffbox! Nothing like it remains in this century of ours. And the
ladies matched the men in splendor of dress, until the "swing swang" of
the extravagant hoop spoiled all. Here comes one, on her way to church,
where she will distract the men from their prayers with her beauty, and
the women with her dress. She has a flowered silk body and cream-colored
skirts trimmed with lace; she has light blue shoulder-knots; she wears
an amber necklace, brown Swedish gloves, and a silver bracelet; she has
a flowered silk belt of green and gray and yellow, with a bow at the
side, and a brown straw-hat with flowers of green and yellow. "Sir,"
says one who watches her with admiration, "she is all apple blossom."
The white satin coat is not often seen east of Temple Bar. See the sober
citizen approaching: he is dressed in brown stockings; he has laced
ruffles and a shirt of snowy whiteness; his shoes have silver buckles;
his wig is dark grizzle, full-bottomed; he carries his hat under his
left arm, and a gold-headed stick in his right hand. He is accosted by a
wreck--there are always some of these about London streets--who has
struck upon the rock of bankruptcy and gone down. He, too, is dressed
in brown, but where are the ruffles? Where is the shirt? The waistcoat,
buttoned high, shows no shirt; his stockings are of black worsted,
darned and in holes; his shoes are slipshod, without buckles. Alas! poor
gentleman! And his wig is an old grizzle, uncombed, undressed, dirty,
which has been used for rubbing shoes by a shoeblack. On the other side
of the street walks one, followed by a prentice carrying a bundle. It is
a mercer of Cheapside, taking some stuff to a lady. He wears black
cloth, not brown; he has a white tye-wig, white silk stockings, muslin
ruffles, and japanned pumps. Here comes a mechanic: he wears a warm
waistcoat with long sleeves, gray worsted stockings, stout shoes, a
three-cornered hat, and an apron. All working-men wear an apron; it is a
mark of their condition. They are no more ashamed of their apron than
your scarlet-coated captain is ashamed of his uniform.
[Illustration: RANELAGH]
Public-domain text, read in full here on John Shaqi.
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